Young People’s Guide to Self-portraiture

In the summer of 2016, Anthony Luvera collaborated with a group of eight young people aged 16-21 years to research self-portraiture at the National Portrait Gallery. Out of this research they created the Young People’s Guide to Self-portraiture as part of the NPG’s Heritage Lottery-funded project following the acquisition of Flemish Baroque … Continue reading

Reflections on Collaboration

Creative Producer and filmmaker Hanul Bahm wrote a thorough review of the Magnum Foundation’s Photography Expanded symposium on Collaborative Approaches to Creative Documentary Practice, held in New York on June 8, 2017, for The Alliance. The symposium explored collectivity, authorship, participation, and collaboration in photography and creative documentary practice. Presenters showcased projects … Continue reading

Q&A: Gemma-Rose Turnbull

  first published September 21st, 2017 at Strange Fire Collective   Gemma-Rose Turnbull is an Australian artist, writer, Senior Lecturer in photography at Coventry University, and the joint Course Director of the MA Photography and Collaboration with Anthony Luvera, which is due to launch in January 2018. Gemma’s research interests lie … Continue reading

Photography as Wellbeing

  Between November 2016 and September 2017 Gary Bratchford and Robert Parkinson undertook an onsite residency in Halton, Liverpool, as part of the Open Eye Cultural Shifts project. During this 10-month period they worked with two distinct and pre-determined groups; The Women of Windmill Hill in Runcorn and the Widnes Vikings … Continue reading

Winds of Change: A collaborative project by Tony Mallon and the Women of Northwood’s Golden Years group.

As part of the current Culture Shifts programme led by Open Eye Gallery, (which I manage, in the role of Creative Producer), I wanted to delve into more detail about the methodologies employed by photographic artist Tony Mallon. Mallon, a Liverpool (UK) based photographic artist, has a strong history of … Continue reading

Emily Fitzgerald et al., Some Time Between Us. 2016, Portland, OR

“The skills which are necessary to community projects using photography are not only visual ones – the production of the image may be only part of the process, which may involve collective debate and authorship (not easy), research and writing, design and layout processes, organisation and campaigning, and always, a consideration of the audience and how they will be able to inter-relate with the work.”

– Stevie Bezencenet, “Photography and the community,” in Photographic Practices: Towards a Different Image, ed. Stevie Bezencenet and Philip Corrigan (London: Comedia Publishing Group, 1986), 143.

The Blind Photographer: the remarkable world of sensory photography

  The Blind Photographer, published at the end of last year by Redstone Press, is a photography book that challenges our conception of what it means to see. Showcasing the work of more than fifty blind or partially sighted photographers from around the world, it celebrates the thriving and counter-intuitive … Continue reading

In Assessing ‘Photo Requests From Solitary’ Let’s Ask If the Image Meets the Prisoner’s Brief?

“I would like to receive a photo of the new world trade centre buildings, in whatever stage of rebuilding they’re in. A nice view from a nearby building would be nice. Could the photographer take the photograph from a nearby rooftop?” Terrence’s request answered by Anthony Tafuro for Photo Requests … Continue reading

Shock and Awe: An interview with Ethan Rafal

I met Ethan when we were artist mentors together at Southern Exposure in 2015. Since then I have watched his practice grow into the world in a way that I find really exciting and that I really relate to. So I asked him if he would let us explore his practice a … Continue reading

SHARED VISION: DIÀNA MARKOSIAN with Rebecca McClelland

The work of Magnum Photos’ Diàna Markosian takes documentary photography into new, collaborative territory where the subject becomes co-creator. Ahead of their interview at PhotoLondon, photographic director Rebecca McClelland talks to Markosian about her process   This article was originally published on CREATIVE REVIEW and is republished here with permission. This … Continue reading

Participatory photography – Jack of all trades, master of none?

Foreword When I wrote ‘Jack of all trades, master of none’ eight years ago I was just beginning to explore the relationship between photographers and those they picture. Participatory photography (PP) was considered rather hip at the time, partly fuelled by the success of the film ‘Born into Brothels.’ I was … Continue reading

Landmark Collaborative Work by New Mexico Prisoners and Photographer in the Early Eighties

This article is reposted from Pete Brook’s website Prison Photography     I’ve heard from a couple of folk that when I started Prison Photography, they laughed at its folly. Not only had a bleeding-heart liberal thug-hugger come along to explain a world no-one cared about to no-one in particular, but … Continue reading

Round Table: Community Photography, Now and Then.

A round table discussion with several photographers discussing the theme of community photography from Photoworks Collaboration Issue. Topics address questions such as the definitions surrounding collaborative photography practices, an overview of several artistic traditions which have converged in contemporary community photography, and the dynamics between photographer artists and their audiences. … Continue reading

“I also struggle with the term ‘participatory photography’ because it is such a broad term and there is so much bad practice. I am going to talk frankly: there is so much bad practice and so many do-good, damaging, crappy, boring projects. I feel like I can’t really speak in this conversation because we are using terms that I don’t think I understand or can define.”

 
– Eugenie Dolberg in a roundtable discussion between Ben Burbridge, Anthony Luvera, Matt Daw, Andrew Dewdney, and Noni Stacey for the Photoworks Annual Issue on Collaboration. “Round Table: Community Photography, Now and Then.” Photoworks Annual, no. 21 no. 21 (October 1, 2013): 126–49 (136).

If You Think You’re Giving Students of Color a Voice, Get Over Yourself

“The idea of “giving” students voice, especially when it refers to students of color, only serves to reify the dynamic of paternalism that renders Black and Brown students voiceless until some salvific external force gifts them with the privilege to speak.” – Jamila Lyiscott   “If You Think You’re Giving … Continue reading

Photography and Collaboration

“…thinking about photography in collaborative terms invites us to reconfigure assumptions about the photographic act in all its stages.”   Dr Daniel Palmer is a writer and Associate Professor in the Art Theory Program in the Faculty of Art, Design & Architecture at Monash University. His research and professional practice focuses … Continue reading

And how must a photographer behave?

This is a snippet from an amazing conversation between Anthony Luvera and Stefanie Braun in Critical Cities Volume 2; Ideas, knowledge and agitation from emerging urbanist   SB: The photographs in this project are taken by homeless or ex-homeless people. The creation of each ‘self-portrait’ is assisted by you, but … Continue reading

The Us and Them

When I started working as a photojournalist in my 20s, I thought it was important to tell people about events that were happening outside of their society. Now I see that my main contribution is connecting people. A simple story about what is happening elsewhere will not change any situation. … Continue reading

New Ways of Photographing the New Masai

 This essay by Stanley Wolukau-Wanambwa looks at how some recent photobooks, featuring African subjects, rehash pejorative tropes. This article first appeared in Issue 17 of the Aperture Photography App. This extract is taken from the Aperture blog. Dutch photographer Jan Hoek’s New Ways of Photographing the New Masai (Art Paper Editions, 2014) has the appearance … Continue reading

Sara Terry & Mariam X

I met Mariam (not her real name), an ex-child soldier, in Sierra Leone in June 2007, early in my work on “Forgiveness and Conflict.” Because Mariam’s privacy needed to be protected for legal reasons, I needed to find a way to tell her story without showing her face. She had … Continue reading

Sharing the Viewfinder

The Maidan videos were intended to be Instagram vignettes of my experiences as a photographer, an intimate look at how I see the world. They show how I saw the men of Maidan: 6cm x 6cm, through the camera’s frosted ground glass, their reflections reversed by the mirror, moving and … Continue reading

The Dad Project

“We’re not a photo family. None of us like having our pictures taken. This was pretty weird way to try changing that.” – Briony Campbell   Briony Campbell’s collaborative work with her dying father David, The Dad Project (2009), is great. I am excited about the way they made it together, and also the … Continue reading

Dru Donovan’s Positions Taken

  Dru Donovan’s interactive restagings of real situations are palpably challenging and painfully relevant, offering a cinematic entrance into human struggle. Using smart visual language, her photographs captivate our attention through imaginations of the all too real. – Jim Goldberg   Earlier this year Dru Donovan collaborated with a group … Continue reading

Participatory Playbook: an Exhibition at LOOK3

This is reposted from the Magnum Foundation tumblr. –––––– We’re excited to share the opening of Tactics of Collaboration: A Participatory Playbook, an exhibition of an ongoing collaboration with Photography, Expanded Fellow Mark Strandquist at the Bridge Progressive Arts Initiative in Charlottesville, Virginia. This exhibition was held in conjunction with the 2015 LOOK3 Festival of the … Continue reading

Participatory project in New York City Public Housing

  While I think there are more sophisticated and visually impactful ways to co-author documentary projects than the participatory model, this project was released in book form by powerHouse books earlier in the year, and it is definitely worth having a look at (again, the caveat that I think straight … Continue reading