PhD Interview

“As it becomes increasingly more common for Documentary Photographers to integrate participatory and collaborative practices into their photographic projects, inviting people who were previously ‘subjects’ to become co-creators, there is also an increased tension between the collaborative process and the photographic product. When we move towards making work that is … Continue reading

Primary/Secondary Audience

“How can you still retain the agency and activist potential of photo-media for a secondary audience, when you increase the collaborative and participatory processes of documentary-based socially engaged photo-projects explicitly designed to forefront the social aesthetic, and privilege a primary audience?”