IC-Visual Lab: An evening with Gemma-Rose Turnbull and Pete Brook

  PHOTOGRAPHY AS A SOCIAL PRACTICE with Gemma-Rose Turnbull and Pete Brook. Thursday 18th May 2017, 19:00 £6/4 CONCESSIONS. Free to ICVL Members Dark Studio, 2nd floor, ARNOLFINI BUY TICKETS Gemma used to be a news photographer and came to be focused on collaborative practices that disrupt the linear, documentary … Continue reading

I get the feeling sometimes that photography can be hypercritical and unconstructive in its criticism. When it gets the wind in its sails, it feels like you’re in the midst of  a mass Five-Minute Hate. It’s like the scene in the remake of the Night of the Living Dead where Donald Sutherland points and screams – and then everybody else points and screams. It looks and feels terrible even when there are some justifications for it, especially when there are justificatons for it.  This kind of response is something that also needs to be addressed in photography and its social media responses – because it is an embarassment and one day it will end in something very tragic. It is a form of bullying. Again, it’s nothing to do with photography, it’s to do with basic human behaviour.

The work that Gemma-Rose Turnbull and Pete Brook do is a constructive counterpart to this kind of response. Their work is considered, analytical and creates a counter-voice that is productive rather than reactionary and destructive, and leads us into new ways of seeing how images are made and the different fields in which they operate.

 
– Colin Pantall, Photography as Social Practice. In Bristol this Thursday

Just as media representations of the artist-as-genius have proved remarkably durable, the figure of the lone photographer is an enduring myth.

[The] figure of the intrepid, typically male, photojournalist is tied up with narcissistic fantasies about the photographer-as-lone-adventurer…the photographer-adventurer who bears witness to the world’s most beautiful and horrific truths has become something of an ego ideal or phantasm haunting all users of the camera. Men, apparently, are particularly prone to its seductive power.

– Daniel Palmer

Palmer, Daniel. Photography and Collaboration: From Conceptual Art to Crowdsourcing. London: Bloomsbury, 2017. p.1–2

 

Magnum Foundation Symposium

  The 2017 Magnum Foundation Photography Expanded Symposium will explore collaborative approaches to creative documentary practice.   The Photography, Expanded symposium is an annual full-day event that is free and open to the public. The symposium draws practitioners and storytellers across media to be inspired by exemplary case studies of innovative … Continue reading

Thinking about
who
represents
whom,
and
for whom,
is key to
my practice.

– Helen Cammock is an artist and artist facilitator. She lectures across the UK on participatory practice and is committed to exploring and evolving the way participation opens up dialogue, and aims to ensure that diverse voices are platformed in the cultural contexts she works in.

Culture Shifts

Culture Shifts is a new socially engaged photography programme led by Open Eye Gallery, Liverpool, UK and supported by a strategic touring fund from Arts Council England. Working across a host of social housing, local authority culture and health partners and communities across the Liverpool and Merseyside city regions, we … Continue reading

Photography & Social Practice Workshop: Critical Questions and Resources

  The Photography & Social Practice Workshop will provide a forum for the Open Engagement community to shape a large conversation that will aim to unfold through a book, a blog, an exhibition and a daylong event in conjunction with partners such as Aperture, the Magnum Foundation and OE 2018. … Continue reading

Diane Dammeyer Fellowship in Photographic Arts and Social Issues

The Diane Dammeyer Fellowship in Photographic Arts and Social Issues creates a space for a socially-engaged photographer to produce a compelling and dynamic body of work highlighting human rights and social issues.   Fereshteh Toosi, the 2015-16 Dammeyer Fellow, spent her year building relationships with the residents of Leland Apartments, … Continue reading

Round Table: Community Photography, Now and Then.

A round table discussion with several photographers discussing the theme of community photography from Photoworks Collaboration Issue. Topics address questions such as the definitions surrounding collaborative photography practices, an overview of several artistic traditions which have converged in contemporary community photography, and the dynamics between photographer artists and their audiences. … Continue reading

TAKING PART: Participatory Artist In Residence programme

Photofusion host four 90-day residencies for emerging participatory lens-based artists. Photofusion is a hub for photographers of all backgrounds in South London. Working in a diverse and challenging borough since 1992, Photofusion has a proud history of community engagement including work with local schools, young offenders, social housing associations and … Continue reading

“I also struggle with the term ‘participatory photography’ because it is such a broad term and there is so much bad practice. I am going to talk frankly: there is so much bad practice and so many do-good, damaging, crappy, boring projects. I feel like I can’t really speak in this conversation because we are using terms that I don’t think I understand or can define.”

 
– Eugenie Dolberg in a roundtable discussion between Ben Burbridge, Anthony Luvera, Matt Daw, Andrew Dewdney, and Noni Stacey for the Photoworks Annual Issue on Collaboration. “Round Table: Community Photography, Now and Then.” Photoworks Annual, no. 21 no. 21 (October 1, 2013): 126–49 (136).