Free Photo Portraits: Brixton Pound

“The Taking Part residency is an extremely exciting opportunity, which acknowledges a rich history of community-based photographic practice within the UK, but also highlights the way in which methodologies of participation and collaboration––making work with people, rather than taking photographs of people––is becoming an increasingly refined and innovative contemporary practice. – … Continue reading

Q&A: Gemma-Rose Turnbull

  first published September 21st, 2017 at Strange Fire Collective   Gemma-Rose Turnbull is an Australian artist, writer, Senior Lecturer in photography at Coventry University, and the joint Course Director of the MA Photography and Collaboration with Anthony Luvera, which is due to launch in January 2018. Gemma’s research interests lie … Continue reading

Photography as Wellbeing

  Between November 2016 and September 2017 Gary Bratchford and Robert Parkinson undertook an onsite residency in Halton, Liverpool, as part of the Open Eye Cultural Shifts project. During this 10-month period they worked with two distinct and pre-determined groups; The Women of Windmill Hill in Runcorn and the Widnes Vikings … Continue reading

Winds of Change: A collaborative project by Tony Mallon and the Women of Northwood’s Golden Years group.

As part of the current Culture Shifts programme led by Open Eye Gallery, (which I manage, in the role of Creative Producer), I wanted to delve into more detail about the methodologies employed by photographic artist Tony Mallon. Mallon, a Liverpool (UK) based photographic artist, has a strong history of … Continue reading

The Blind Photographer: the remarkable world of sensory photography

  The Blind Photographer, published at the end of last year by Redstone Press, is a photography book that challenges our conception of what it means to see. Showcasing the work of more than fifty blind or partially sighted photographers from around the world, it celebrates the thriving and counter-intuitive … Continue reading

In Assessing ‘Photo Requests From Solitary’ Let’s Ask If the Image Meets the Prisoner’s Brief?

“I would like to receive a photo of the new world trade centre buildings, in whatever stage of rebuilding they’re in. A nice view from a nearby building would be nice. Could the photographer take the photograph from a nearby rooftop?” Terrence’s request answered by Anthony Tafuro for Photo Requests … Continue reading

Q&A: Mark Strandquist

first published January 28th, 2016 at Strange Fire Collective   Mark Strandquist is a cultural organizer who has spent years using art as a vehicle for connecting diverse communities to build empathy and support for social justice movements. At the core of his practice is the belief that those most … Continue reading

Shock and Awe: An interview with Ethan Rafal

I met Ethan when we were artist mentors together at Southern Exposure in 2015. Since then I have watched his practice grow into the world in a way that I find really exciting and that I really relate to. So I asked him if he would let us explore his practice a … Continue reading

SHARED VISION: DIÀNA MARKOSIAN with Rebecca McClelland

The work of Magnum Photos’ Diàna Markosian takes documentary photography into new, collaborative territory where the subject becomes co-creator. Ahead of their interview at PhotoLondon, photographic director Rebecca McClelland talks to Markosian about her process   This article was originally published on CREATIVE REVIEW and is republished here with permission. This … Continue reading

Culture Shifts

Culture Shifts is a new socially engaged photography programme led by Open Eye Gallery, Liverpool, UK and supported by a strategic touring fund from Arts Council England. Working across a host of social housing, local authority culture and health partners and communities across the Liverpool and Merseyside city regions, we … Continue reading

PH15: the Argentine youth photography project

17 years of photography workshops in the same community: A conversation with Moira Rubio Brennan and Miriam Priotti, directors of PH15.     As participatory, collaborative and community-based photography projects proliferate, initiatives that stand the test of time stick out from the crowd.  This is not to say that projects … Continue reading

Landmark Collaborative Work by New Mexico Prisoners and Photographer in the Early Eighties

This article is reposted from Pete Brook’s website Prison Photography     I’ve heard from a couple of folk that when I started Prison Photography, they laughed at its folly. Not only had a bleeding-heart liberal thug-hugger come along to explain a world no-one cared about to no-one in particular, but … Continue reading

Some Time Between Us

Some Time Between Us is a project initiated by Emily Fitzgerald and the Hollywood Senior Center to bring together a group of 22 middle school students from Beaumont Middle School and older adults from the Hollywood Senior Center. Fitzgerald and the Hollywood Senior Center group previously worked on the project Being … Continue reading

Another Kind of Girl

  “No cheesy music to manipulate emotions. No images replicated a million times. Just a young curious mind producing some of the most powerful documentation of the Syrian refugee experience I’ve seen.” – Mark Strandquist   This simple, powerful film was made by Khaldiya,  a participant of the Another Kind of Girl … Continue reading

Women Of York: Shared Dining

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 This book ‘Women Of York: Shared Dining’ was made by Susan Meiselas (@s_meiselas1963) with women incarcerated at York Correctional Institution for Women. It’s a contemporary response to Judy Chicago’s famous feminist work ‘Dinner Party’ (which is permanently installed at the Brooklyn Museum). My first impressions were “This book is ugly with chintzy design, fonts in all different colours.” It was put together by the industry great Yolanda Cuomo Design, so what gives? Here’s what. Susan handed over total and collective decision-making to the women. The shape, the images, the text, the layout, the fonts, the sequencing and much more. Susan got out of the way entirely. This is their book. Susan, with others, just helped it along. It’s an amazing socially-engaged project. And I need to stop being such a snob.

New Ways of Photographing the New Masai

 This essay by Stanley Wolukau-Wanambwa looks at how some recent photobooks, featuring African subjects, rehash pejorative tropes. This article first appeared in Issue 17 of the Aperture Photography App. This extract is taken from the Aperture blog. Dutch photographer Jan Hoek’s New Ways of Photographing the New Masai (Art Paper Editions, 2014) has the appearance … Continue reading

Sara Terry & Mariam X

I met Mariam (not her real name), an ex-child soldier, in Sierra Leone in June 2007, early in my work on “Forgiveness and Conflict.” Because Mariam’s privacy needed to be protected for legal reasons, I needed to find a way to tell her story without showing her face. She had … Continue reading