The Photography & Social Practice Workshop will provide a forum for the Open Engagement community to shape a large conversation that will aim to unfold through a book, a blog, an exhibition and a daylong event in conjunction with partners such as Aperture, the Magnum Foundation and OE 2018. … Continue reading
This gorgeous project was made by my collaborator and friend Emily Fitzgerald (we made The King School Portrait Project together). Being Old is a photo-based collaboration between Emily and a group of people from the Hollywood Senior Center in Portland, Oregon. Emily visualised that the weekly workshops she ran would be dedicated to “creating … Continue reading
This is reposted from the Magnum Foundation tumblr. –––––– We’re excited to share the opening of Tactics of Collaboration: A Participatory Playbook, an exhibition of an ongoing collaboration with Photography, Expanded Fellow Mark Strandquist at the Bridge Progressive Arts Initiative in Charlottesville, Virginia. This exhibition was held in conjunction with the 2015 LOOK3 Festival of the … Continue reading
“As documentary photographers integrate participatory and collaborative practices into their projects––inviting people who were previously ‘subjects’ to become co-creators––there is an increased tension between the process and the photographic product. When we move towards making work that is co-authored, how do we meet the needs of our collaborators (as the primary audience of the work), and communicate the primary experience to the secondary audience (anyone secondary to the people making the work)?
Basically, how can we continue to utilize the visceral, affective visual language of documentary photography to activate for social change, while democratising the process of creating those images with people, instead of of people?”
From the PHOTOGRAPHY AND SOCIAL PRACTICE broadsheet, May 2014.
This gallery contains 3 photos.
A few weeks ago an my friend Amie Batalibasi, who is the founder and director of Melbourne-based Colour Box Studio (CBS), a pop up art space and online creative hub, contacted me to write the forward for an upcoming book they are self publishing. The book, curated by Kristina Arnott, … Continue reading
Image from Red Light Dark Room; Sex, lives and stereotypes, 2011. “Despite the current enthusiasm for social practice, it is not without its tensions, especially in sectors where art and activism overlap. As agents of change, social-practice projects can seem wanting: the scale is often small, the works are temporary, … Continue reading
Audience/participants reading the 4-page PHOTOGRAPHY AND SOCIAL PRACTICE broadsheet, a PDF of which can be found here. Today we (Pete Brook, Eliza Gregory, Gemma-Rose Turnbull, Mark Strandquist and Wendy Ewald) had the Photo-Based Social Practice panel, a discussion of socially engaged, transdisciplinary, and expanded practices in contemporary photography at Aperture Foundation in New York for Open Engagement. As … Continue reading
This is the four-page newspaper we created to share some of the driving questions and ideas with the audience during the panel discussion on socially engaged, transdisciplinary, and expanded practices in contemporary photography at Aperture Foundation in New York as part of the Open Engagement conference in May. Click on the title … Continue reading
“As it becomes increasingly more common for Documentary Photographers to integrate participatory and collaborative practices into their photographic projects, inviting people who were previously ‘subjects’ to become co-creators, there is also an increased tension between the collaborative process and the photographic product. When we move towards making work that is … Continue reading
Gemma was interviewed by Lynette Letic for the Queensland Centre of Photography’s Lucida Magazine about her PhD, projects and collaborations with other photographers in January. Find the article here: lucidamagazine.com