Gemma-Rose Turnbull

“As documentary photographers integrate participatory and collaborative practices into their projects––inviting people who were previously ‘subjects’ to become co-creators––there is an increased tension between the process and the photographic product. When we move towards making work that is co-authored, how do we meet the needs of our collaborators (as the primary audience of the work), and communicate the primary experience to the secondary audience (anyone secondary to the people making the work)?

Basically, how can we continue to utilize the visceral, affective visual language of documentary photography to activate for social change, while democratising the process of creating those images with people, instead of of people?”

 

From the PHOTOGRAPHY AND SOCIAL PRACTICE broadsheet, May 2014.

Brooklyn Insitute for Social Research Course on Photography and Social Networks

This looks like an interesting course on photographic distribution, audience and engagement. From the course website: In recent decades, critical analyses of photography are increasingly concerned with questions of audience engagement and technological production. This course embarks upon a study of historical and theoretical perspectives on photography—from experiments in daguerreotype … Continue reading