Disruptive Participation and Radical Listening: Magnum Foundation Photography Expanded Symposium 2017

In socially engaged photography and documentary practice, listening and participation can become both the medium and the form, the journey and the destination. This panel will explore relationships between listening and participation. Can listening set conditions for meaningful participation? Can participation produce new opportunities for listening? Is it possible for … Continue reading

Just as media representations of the artist-as-genius have proved remarkably durable, the figure of the lone photographer is an enduring myth.

[The] figure of the intrepid, typically male, photojournalist is tied up with narcissistic fantasies about the photographer-as-lone-adventurer…the photographer-adventurer who bears witness to the world’s most beautiful and horrific truths has become something of an ego ideal or phantasm haunting all users of the camera. Men, apparently, are particularly prone to its seductive power.

– Daniel Palmer

Palmer, Daniel. Photography and Collaboration: From Conceptual Art to Crowdsourcing. London: Bloomsbury, 2017. p.1–2

 

Photography and Collaboration

“…thinking about photography in collaborative terms invites us to reconfigure assumptions about the photographic act in all its stages.”   Dr Daniel Palmer is a writer and Associate Professor in the Art Theory Program in the Faculty of Art, Design & Architecture at Monash University. His research and professional practice focuses … Continue reading